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ToTANGO.net

ToTANGO DJ FORUM - "Lucía"    
DJ Not "Lucía", but a sister in attitude.  

This friend, whom I love to dance with and talk with about the music, has by far the largest tango collection of any woman I know and more than most avid collectors. I hope to hear from more women on this subject (and would like to dance to more women dj's).

Alex Krebs

Dan Boccia

Stephen Brown

Andrew from Portland

Keith Elshaw



 


"Lucía", USA:

My relationship with the music is purely emotional. I don't have thoughts about it, I have feelings.

What I don't like: music that is played haphazardly, failing to create a "mood".

My pet peeve: to get up to dance with my favourite Di Sarli partner, only to have Biagi played as the next song.

Another pet peeve: DJs and dancers that like or dislike the music according to sound quality. They don't know what they are missing. As my little son would say, "They judge a book by its cover".

Favourites: Instrumental Pugliese of all decades, to dance with somebody that is dancing with me and not pour la gallerie. I have no patience for peacocks. Di Sarli both instrumental and not (I love Duran), D'Arienzo instrumental and with Maure, Troilo, depending on my mood, D'Agostino/Vargas (I am in a D'Agostino/Vargas phase), Calo with all singers, Tanturi both with Castillo and with Campos, Canaro (I love Poema), Fresedo/Ray, Canaro milongas and valses, D'Arienzo valses, Enrique Rodriguez. Out on a limb now...I love to dance to Goyeneche, I have to have the right partner. As a student of Norma Gomez Tomassi and Ernesto Carmona, I have danced tango to almost anything. One that comes to mind, Nostalgias by Eugenia Leon. I was crying when the song was over.

What I like to do with the music: as a dancer, to get lost in it. As a DJ, to try to get people in a "dance trance" and unable to stop dancing.

The nicest compliment: Recently, for the first time in the last couple of years, we had a surplus of leaders. As a hostess, I was very busy trying to make sure that all the leaders danced, and at the same time keeping up with the DJing part. One favourite leader needed to leave, was going out of town the next day. We had had some nice milonga and vals tandas. He asked for a tango tanda before he left: I played Calo. We said our good byes around midnight. All of a sudden, I realize, at 1:30, he is still there, sitting at the bar, not dancing since there aren't enough women. I went to him and asked how come he was still around. He answered: "it's the music, I just can't leave."

email Lucía (via Keith).



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